German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.  Related Paintings of Johann Zoffany :. | Queen Charlotte at her Dressing Table (mk25) | Cockfight in Lucknow | Duke Ferdinando I of Parma | The children of Ferdinand of Parma | The Reverend Randall Burroughs and his son Ellis |
Related Artists:
Lemaire, Jean
1763-64, oil on canvas, The Hermitage, St. Petersburg
Francesco di Giorgio Martini
Italian Early Renaissance Painter and Sculptor, 1439-ca.1501 was an Italian painter of the Sienese School, a sculptor, an architect and theorist, and a military engineer who built almost seventy fortifications for the Duke of Urbino. Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for cassoni he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective. Francesco di Giorgio is also known for architectural designs and sculptural work for Federico III da Montefeltro, Duke of Urbino, for whom he built star-shaped fortifications. He composed an architectural treatise Trattato di architettura, ingegneria e arte militare that he worked on for decades and finished sometime after 1482;
WEENIX, Jan Baptist
Dutch Baroque Era Painter, 1621-ca.1663 Painter and draughtsman, son of Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.